{"version":"1.0","provider_name":"Bremer Barockorchester","provider_url":"https:\/\/bremer-barockorchester.de\/de","author_name":"Nadine Remmert","author_url":"https:\/\/bremer-barockorchester.de\/de\/author\/nadine-remmert","title":"Il Maestro di Cappella - Bremer Barockorchester","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xtSCfT9PLr\"><a href=\"https:\/\/bremer-barockorchester.de\/de\/bbo-barockumzu\/il-maestro-di-capella-2\">Il Maes\u00adtro di Cap\u00adpel\u00adla<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bremer-barockorchester.de\/de\/bbo-barockumzu\/il-maestro-di-capella-2\/embed#?secret=xtSCfT9PLr\" width=\"600\" height=\"338\" title=\"&#8222;Il Maes\u00adtro di Cap\u00adpel\u00adla&#8220; &#8211; Bremer Barockorchester\" data-secret=\"xtSCfT9PLr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bremer-barockorchester.de\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/bremer-barockorchester.de\/wp-content\/uploads\/2022\/08\/Jorge-Martinez_klein.jpeg","thumbnail_width":750,"thumbnail_height":749,"description":"In die\u00adsem Kon\u00adzert ent\u00adf\u00fchrt das Orches\u00adter in die Welt des Thea\u00adters. Erle\u00adben Sie eine von Dome\u00adni\u00adco Cima\u00adro\u00adsa humor\u00advoll in Sze\u00adne gesetz\u00adte Orches\u00adter\u00adpro\u00adbe und Musik aus Chris\u00adtoph Wil\u00adli\u00adbald Glucks Opern \u201eOrfeo ed Euri\u00addi\u00adce\u201c und \u201eSemi\u00adra\u00admis\u201c in Kom\u00adbi\u00adna\u00adti\u00adon mit wei\u00adte\u00adren Orches\u00adter\u00adwer\u00adken aus der span\u00adnen\u00adden \u00dcber\u00adgangs\u00adpha\u00adse zwi\u00adschen der baro\u00adcken und der klas\u00adsi\u00adschen Epo\u00adche. Ken\u00adnen Sie schon Herrn Nic\u00adcol\u00f2 Jom\u00admel\u00adli\u2026? Pro\u00adgramm Franz Ignaz Beck (1734-1809) Sin\u00adfo\u00adnie op. 3,3 Dome\u00adni\u00adco Cima\u00adro\u00adsa (1749-1801) Il Maes\u00adtro di Cap\u00adpel\u00adla Pau\u00adse Nic\u00adcol\u00f3 Jom\u00adme\u00adli (1714-1774) Sin\u00adfo\u00adnia in Es-Dur Chris\u00adtoph Wil\u00adli\u00adbald Gluck (1714-1787) Orches\u00adter\u00adsuite aus den Opern \u201eOrfeo ed Euri\u00addi\u00adce \u201c und \u201eSemi\u00adra\u00admis\u201c Lei\u00adtung: St\u00e9\u00adpha\u00adnie Pau\u00adlet und N\u00e9s\u00adtor Fabi\u00e1n Cor\u00adt\u00e9s Gar\u00adz\u00f3n Bass-Bari\u00adton: Jor\u00adge Alber\u00adto Mar\u00adt\u00ed\u00adnez (Wien)"}