{"version":"1.0","provider_name":"Bremer Barockorchester","provider_url":"https:\/\/bremer-barockorchester.de\/en","author_name":"wbvcwd8f8odwgevc8ww","author_url":"https:\/\/bremer-barockorchester.de\/en\/author\/wbvcwd8f8odwgevc8ww","title":"Historias americanas - Bremer Barockorchester","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BV4MH9pnFG\"><a href=\"https:\/\/bremer-barockorchester.de\/en\/bbo-barockumzu\/historias-americanas\">His\u00adto\u00adri\u00adas ame\u00adri\u00adca\u00adnas<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bremer-barockorchester.de\/en\/bbo-barockumzu\/historias-americanas\/embed#?secret=BV4MH9pnFG\" width=\"600\" height=\"338\" title=\"&#8220;His\u00adto\u00adri\u00adas ame\u00adri\u00adca\u00adnas&#8221; &#8212; Bremer Barockorchester\" data-secret=\"BV4MH9pnFG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bremer-barockorchester.de\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/bremer-barockorchester.de\/wp-content\/uploads\/2022\/03\/Foto_Alexis-Cardenas-website.png","thumbnail_width":749,"thumbnail_height":750,"description":"Once again, baro\u00adque works from Latin Ame\u00adri\u00adca and Euro\u00adpe meet in this con\u00adcert series. The musi\u00adci\u00adans from Bre\u00admen are sup\u00adport\u00aded by vocal soloists and the excep\u00adtio\u00adnal Vene\u00adzue\u00adlan vio\u00adli\u00adnist Alexis Car\u00addenas in this fes\u00adti\u00adval of rhyth\u00adms and impro\u00advi\u00adsa\u00adti\u00adon. Pro\u00adgram\u00adme Johann Sebas\u00adti\u00adan Bach (1685-1759) from Par\u00adti\u00adta D Minor BWV 1004: Sara\u00adban\u00adde \u2013 Gigue Hen\u00adry Pur\u00adcell (1659-1695) from \u201eThe Fairy Queen\u201c: A Bird\u2019s Pre\u00adlude \u2013 Cha\u00adconne: Dance for the Chi\u00adne\u00adse Man and Woman Tra\u00addi\u00adtio\u00adnal (Mexi\u00adko) La Can\u00adde\u00adla* Alde\u00adma\u00adro Rome\u00adro (1928-2007) Fuga con P\u00e1ja\u00adra Pin\u00adta bimo\u00addal y Seis nume\u00adrao Codex \u201eMar\u00adt\u00ed\u00adnez Com\u00adpa\u00ad\u00f1\u00f3n\u201c (Peru, 18. Jhdt.) Tona\u00adda del Chi\u00admo* Tona\u00adda \u201eEl Tup\u00adpa\u00adma\u00adro de Caxamar\u00adca\u201c* Tona\u00adda \u201eEl Dia\u00adman\u00adte\u201c* Cachua \u201eDen\u00adnos lecen\u00adcia Se\u00f1o\u00adres\u201c* In coope\u00adra\u00adti\u00adon with Los Tem\u00adpe\u00adra\u00adment\u00ados Solo\u00advio\u00adlin: Alexis Car\u00addenas *Arran\u00adge\u00adments: N\u00e9s\u00adtor Fabi\u00e1n Cor\u00adt\u00e9s Gar\u00adz\u00f3n"}