{"version":"1.0","provider_name":"Bremer Barockorchester","provider_url":"https:\/\/bremer-barockorchester.de\/en","author_name":"Nadine Remmert","author_url":"https:\/\/bremer-barockorchester.de\/en\/author\/nadine-remmert","title":"Il Maestro di Cappella - Bremer Barockorchester","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"k0WI3Nnfbg\"><a href=\"https:\/\/bremer-barockorchester.de\/en\/bbo-barockumzu\/il-maestro-di-capella-2\">Il Maes\u00adtro di Cap\u00adpel\u00adla<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bremer-barockorchester.de\/en\/bbo-barockumzu\/il-maestro-di-capella-2\/embed#?secret=k0WI3Nnfbg\" width=\"600\" height=\"338\" title=\"&#8220;Il Maes\u00adtro di Cap\u00adpel\u00adla&#8221; &#8212; Bremer Barockorchester\" data-secret=\"k0WI3Nnfbg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bremer-barockorchester.de\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/bremer-barockorchester.de\/wp-content\/uploads\/2022\/08\/csm_Jorge_Alberto_Martinez_3957785e60.jpg","thumbnail_width":749,"thumbnail_height":750,"description":"In this con\u00adcert, the orches\u00adtra explo\u00adres the world of theat\u00adre. Expe\u00adri\u00adence an orches\u00adtral rehear\u00adsal humo\u00adrous\u00adly staged by Dome\u00adni\u00adco Cima\u00adro\u00adsa and music from Chris\u00adtoph Wil\u00adli\u00adbald Gluck\u2019s operas \u201cOrfeo ed Euri\u00addi\u00adce\u201d and \u201cSemi\u00adra\u00admis\u201d in com\u00adbi\u00adna\u00adti\u00adon with other orches\u00adtral works from the exci\u00adting tran\u00adsi\u00adtio\u00adnal pha\u00adse bet\u00adween the Baro\u00adque and Clas\u00adsi\u00adcal eras. Do you alre\u00ada\u00addy know Mr. Nic\u00adcol\u00f2 Jom\u00admel\u00adli\u2026? Pro\u00adgram Franz Ignaz Beck (1734-1809) Sym\u00adpho\u00adny op. 3,3 Dome\u00adni\u00adco Cima\u00adro\u00adsa (1749-1801) Il Maes\u00adtro di Cap\u00adpel\u00adla Inter\u00admis\u00adsi\u00adon Nic\u00adcol\u00f3 Jom\u00adme\u00adli (1714-1774) Sym\u00adpho\u00adny in E flat major Chris\u00adtoph Wil\u00adli\u00adbald Gluck (1714-1787) Orches\u00adtral suite from the operas \u201cOrfeo ed Euri\u00addi\u00adce\u201d and \u201cSemi\u00adra\u00admis\u201d Musi\u00adcal direc\u00adtion: St\u00e9\u00adpha\u00adnie Pau\u00adlet and N\u00e9s\u00adtor Fabi\u00e1n Cor\u00adt\u00e9s Gar\u00adz\u00f3n Bari\u00adto\u00adne: Jor\u00adge Alber\u00adto Mar\u00adt\u00ed\u00adnez (Vien\u00adna)"}