The storming Aeolus − Virtuoso Baroque Music for Recorder and Orchestra
For the first time, the renowned recorder player Dorothee Oberlinger is a guest with the Bremer Barockorchester. The 2020 Concert Series “Barock & Umzu” opens with an unusual program that includes both late baroque music, such as the famous flute concert “La Notte” by Antonio Vivaldi, and works by G.Ph. Telemann, as well as music from the 16th Century. Together, the soloist and ensemble explore the world of baroque flute music presenting works from all over Europe that seem to continually surpass each other in virtuosity, but also skillfully showcase the cantabile character of the recorder.
Professor Dorothee Oberlinger is internationally known for her lively playing at the highest technical level, which repeatedly entices storms of enthusiasm among baroque music lovers and especially among listeners who previously knew the recorder from their school years. On various recorders, Oberlinger and the Bremer Barockorchester demonstrate the unimaginable possibilities in this instrument.
Program:
Giorgio Mainerio (d. 1582):
Schiarazula Marazula, La Lavandara Gagliarda
Alessandro Marcello (1673-1747):
Oboe concert d-Minor (version for recorder)
Georg Philipp Telemann (1681-1767):
Recorder Concerto TWV 51:C
Willem de Fesch (1687-1761):
Concerto op 10.2
Antonio Vivaldi (1678-1741):
Concerto RV 439 “La Notte”
–—Pause—
Georg Philipp Telemann:
Overture Suite TWV55: C3 “Water Music”
Antonio Vivaldi:
Concerto RV 443
Direction and recorder: Dorothee Oberlinger