Hohes Holz

High wood

We are final­ly back on stage! In the fourth con­cert of 2020, the con­di­ti­ons have chan­ged (the con­cert will take place wit­hout a break and the pro­gram will be slight­ly shor­ten­ed), but we are very plea­sed that, even under the dif­fi­cult con­di­ti­ons and on a small sca­le, we will be allo­wed to play for you all again. We look for­ward to working with Alfre­do Ber­nar­di­ni, one of the most well-known inter­na­tio­nal baro­que obo­ists of our time, who will take on the musi­cal direc­tion of this pro­ject. Under the title “Hohes Holz” (after the French name of the instru­ment “Haut-bois”, a wood­wind instru­ment that sounds in the high regis­ter) we go on a jour­ney of dis­co­very into the par­ti­al­ly still unknown sphe­res of vir­tuo­so baro­que oboe music. Pro­gram: Fran­ces­co Maria Ver­a­ci­ni (1690-1768) Over­tu­re No. 1 in B flat major Gio­van­ni Bene­det­to Plat­ti (1697-1763) Con­cer­to for Oboe in G minor Eva­ris­to Dall’Abaco […]

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Der stürmende Äolus

The stor­ming Aeo­lus

For the first time, the renow­ned recor­der play­er Doro­thee Ober­lin­ger is a guest with the Bre­mer Barock­or­ches­ter. The 2020 Con­cert Series “Barock & Umzu” opens with an unu­su­al pro­gram that includes both late baro­que music, such as the famous flu­te con­cert “La Not­te” by Anto­nio Vival­di, and works by G.Ph. Tele­mann, as well as music from the 16th Cen­tu­ry. Tog­e­ther, the soloist and ensem­ble explo­re the world of baro­que flu­te music pre­sen­ting works from all over Euro­pe that seem to con­ti­nu­al­ly sur­pass each other in vir­tuo­si­ty, but also skillful­ly show­ca­se the can­ta­bi­le cha­rac­ter of the recor­der. Pro­fes­sor Doro­thee Ober­lin­ger is inter­na­tio­nal­ly known for her lively play­ing at the hig­hest tech­ni­cal level, which repea­ted­ly enti­ces storms of enthu­si­asm among baro­que music lovers and espe­ci­al­ly among lis­ten­ers who pre­vious­ly knew the recor­der from their school years. On various recor­ders, Ober­lin­ger and the Bre­mer Barock­or­ches­ter demons­tra­te the uni­ma­gi­nable pos­si­bi­li­ties in this instru­ment. Pro­gram: […]

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